#philippe agostini

[revuetraversees]

Cécile A. HOLDBAN (et trente poètes), Machines, le Réalgar, mai 2024, 134 pages, 23€

Une chronique de Marc Wetzel Cécile A. HOLDBAN (et trente poètes), Machines, le Réalgar, mai 2024, 134 pages, 23€ La peintre-poète Cécile Holdban dessine (au lavis) une trentaine de “machines” – chacune légendée et reproduite – qu’elle propose à autant de camarades écrivains de prolonger-commenter d’un récit de leurs choix et façon. Ce que ces vingt-neuf hommes et une femme font (à la fois…

[byneddiedingo]

Simone Simon and Daniel Gélin in Le Plaisir (Max Ophüls, 1952)

Cast: Claude Dauphin, Gaby Morlay, Madeleine Renaud, Ginette Leclerc, Mila Parély, Danielle Darrieux, Pierre Brasseur, Jean Gabin, Jean Servais, Daniel Gélin, Simone Simon, Paul Azaïs. Screenplay: Jacques Natanson, Max Ophüls, based on stories by Guy de Maupassant. Cinematography: Philippe Agostini, Christian Matras. Production design: Jean d’Aubonne. Film editing: Léonide Azar. Music: Joe Hajos. 

Pleasure, as the poets never tire of telling us, is inextricable from pain.  Le Plaisir is an anthology film dramatizing three stories by Guy de Maupassant that center on what has been called the pleasure-pain perplex. An elderly man nearly dances himself to death in an attempt to recapture his youth. The patrons of a brothel quarrel and even come to blows when they discover that it is closed. An artist marries his mistress to atone for his cruelty to her. Max Ophüls brings all of his elegant technique to the stories, including his characteristic restless camera, which prowls around the wonderful sets by Jean d'Eaubonne, who received a well-deserved Oscar nomination for art direction. It's also, like Ophuls's La Ronde (1950), an all-star production -- if your stars are French. Claude Dauphin plays the doctor who treats the youth-seeking dancer; Madeleine Renaud is the madame of the brothel, Danielle Darrieux is one of her "girls," and Jean Gabin plays the madame's brother, who invites her to bring the girls to the country for his daughter's first communion, hence the temporary closure of the brothel; Daniel Gélin is the artist, Simone Simon his model/mistress, and Jean Servais his friend who also narrates the final section. Of the three segments of the film, the middle one is the longest and I think the most successful, moving from the raucous opening scene in which the men of the small Normandy town discover the brothel closed into a comic train ride to the country, which is as fetchingly pastoral a setting as you could wish. The sequence climaxes with the filles de joie dissolving in tears at the first communion -- the little church in which it takes place is one of d'Eaubonne's most inspired sets -- then returning to town and a joyous welcome. Ophuls never lets us inside the brothel: We see it only as voyeurs, through the windows. Nothing of this segment is "realistic" in the least, making the melancholy first and last segments more important in establishing the film's theme and tone. The first segment does its part to set up the course of the film as a whole, beginning with a riotous opening as tout Paris flocks to the opening of a dance hall, a pleasure palace, followed by scenes of lively dancing, then the collapse of the elderly patron, who is wearing a frozen and rather creepy mask of youth, and concluding with the bleakness of his normal existence, tended by his aging wife, who is fittingly played by Gaby Morlay, once a silent film gamine. The final segment is the bleakest of all, as the film concludes with the artist pushing his wheelchair-bound wife along the seashore, penance for having provoked her suicide attempt.

[ulkaralakbarova]

Unable to find her runaway son, a woman deceives two of her ex-lovers from her youth, a mild-mannered teacher and a tough journalist, that each is the real father in order to obtain their help. Credits: TheMovieDb. Film Cast: François Pignon: Pierre Richard Jean Lucas: Gérard Depardieu Christine Martin: Anny Duperey Paul Martin: Michel Aumont Tristan Martin: Stéphane Bierry Milan: Philippe Khorsand Ralph: Jean-Jacques Scheffer Jeannot: Roland Blanche Verdier: Jacques Frantz Raffart: Maurice Barrier Mrs. Raffart: Charlotte Maury-Sentier Louise: Gisèle Pascal Stéphane: Patrick Blondel Michèle Raffart: Florence Moreau Patron of “Star Trek”: Patrice Melennec Hotel Receptionist: Robert Dalban Internal: François Bernheim …: Bruno Allain Man in garage blocked by car: Philippe Brigaud …: Pulcher Castan …: Luc-Antoine Diquéro Journalist who flirts with Lucas: Natacha Guinaudeau …: Sonia Laroze Thug: Patrick Laurent …: Jean-Claude Martin …: Guy Matchoro Julien: Jacques Maury Toilet attendant: Jacqueline Noëlle …: Christian Bianchi …: Gérard Camp …: Patrick Le Barz …: Philippe Ribes …: Claude Rossignol Michelle (uncredited): Florence Mancini Film Crew: Original Music Composer: Vladimir Cosma Producer: Francis Veber Director of Photography: Claude Agostini Editor: Marie-Sophie Dubus Producer: Pierre Richard Costume Design: Corinne Jorry Production Design: Gérard Daoudal Assistant Director: Francis de Gueltzl Casting: Françoise Menidrey Sound: Bernard Aubouy Producer: Gérard Depardieu Production Manager: Jean-Claude Bourlat Script Supervisor: Colette Crochot Boom Operator: Sophie Chiabaut Electrician: Richard Vidal Makeup Artist: Thi-Loan Nguyen Stunt Coordinator: Guy Di Rigo Location Manager: Jean-Yves Asselin Stunt Coordinator: Antoine Baud First Assistant Camera: François Amado Movie Reviews:

[rugbyprime]

Top 14 - Lyon : Un Saginadze peut en cacher un autre

Beka Saginadze pourrait jouer avec son jeune frère la saison prochaine – Icon Sport Le centre de formation du LOU Rugby s’étoffe un peu plus ce mercredi avec la venue de quatre nouveaux joueurs dont le jeune frère du troisième ligne Beka Saginadze. Le club de Lyon prépare son avenir sportif en offrant à Philippe Agostini, directeur du centre de formation, quatre nouveaux joueurs au fort…

[motorsportverso]

Resultado das 24h Daytona 2024

Top 10

1-7-Felipe Nasr\Matt Campbell\Dane Cameron\Josef Newgarden-Porsche 963-Porsche Penske Motorsport-GTP-791 Laps

2-31-Pipo Derani\Tom Blonqvist\Jack Aitkan-Cadillac V Series R-Whelen Engering Racing-GTP

3-40-Jordam Taylor\Jenson Button\Colton Herta\Louis Delatraz-Acura ARX06-WTTR Andretti-GTP

4-6-Nick Tandy\Mattheu Jaminet\Laurens Vanthorn\Kevin Estre-Porsche 963-Porsche Penske Motorsport-GTP

5-5-Gianmaria Bruni\Neel Jani\Romain Dumas\Alessio Picariello-Porsche 963-Mustang Simpling Racing-Proton-GTP

6-85-Van Der Helm\Ben Keating\Phil Hansson\Richard Westbrook-Porsche 963-JDC Miller Motorsport-GTP +2 Laps

7-25-Conor De Philippe\Nick Yellolly\Maxime Martin\René Rast-BMW M LMDH-BMW Team RLL-GTP +13 Laps

8-24-Jesse Krohn\Augusto Farfus\Philip Eng\Dris Vanthorn-BMW M LMDH-BMW Team RLL-GTP + 15 Laps

9-18-David Merriman\Ryan Dalziel\Rasmussen\Zilisch-Oreca 7-LMP2-Era Motorsport +24 Laps

10-04-George Kurtz\Colin Braun\Mike Jakobssen\Sowery-Oreca 7-LMP2-Crowdstrike BY APR +24 Laps

LMP2 Top 3

1-18-David Merriman\Ryan Dalziel\Rasmussen\Zilisch-Oreca 7-Era Motorsport-767 Laps

2-04-George Kurtz\Colin Braun\Mike Jakobssen\Sowery-Oreca 7-Crowdstrike BY APR +24 Laps

3-74-Gar Robisson\Felipe Massa\Felipe Fraga\Josh Burdon-Oreca 7-RILEY

Top 5-GTD PRÓ

1-62-Daniel Serra\David Rigon\James Calado\Alessandro Pier Guide-Ferrari 296 GT3-Risi Competizone-GTD PRÓ-733 Laps

2-77-Laurens Henrich\Sebastien Priaulix\Michael Christenssen-Porsche 992 GT3 R-AO Racing +1 Lap

3-1-Bryan Sellers\Madisson Snow\Verhagen\Sheldon Van Der Lind-BMW M4 GT3-Paul Miller Racing +3 Laps

4-23-Ross Gun\Alex Riberas\Mario Farnbacher-Astom Martin Vantage GT3 Evo-Heart of Racing +6 Laps

5-3-Antonio Garcia\Alexander Sims\Daniel Jucandella-Corvette C8 Z06 GT3 R-Corvette Racing By Pratt Miller +7 Laps

6-64-Christopher Mies\Harry Ticknell\Mike Rockenfeller-Ford Mustang GT3-Ford Multimac Motorsports +7 Laps

GTD

1-57-Philip Ellis\Russel Ward\Indy Dontje\Daniel Morad-Mercedes-AMG GT3-Winward Racing-731 Laps

2-21-Miguel Molina\Simon Mann\François Heriau-Ferrari 296 GT3-AF Corse

3-34-Alessandro Bazan\Many Franco\Albert Costa\Cedric Sbirrazzuoli-Ferrari 296 GT3-Conquest Racing +1 Lap

4-023-Onoforio Triarsi\Alessandro Rovera\Charlie Scardia\Ricardo Agostini-Ferrari 296 GT3-Triarse Competizone +1 Lap

5-32-Mike Skeen\Kenton Koch\Mikael Grenier\Maximilian Goetz-Mercedes-AMG GT3-Korthoff/Preston Motorsports +1 Lap

[reginadeinisseni]

La domenica specialmente (1991)

TONINO GUERRA

1991 Durata 118 min (Italia) 105 min (Belgio) 99 min (Francia) 90 min (USA) Genere drammatico, commedia Regia Giuseppe Tornatore, Marco Tullio Giordana, Giuseppe Bertolucci, Francesco Barilli Soggetto Tonino Guerra Casa di produzione Basic Cinematografica, Titanus, RAIDUE, Paradise Film, Disk Motion Pictures Distribuzione in italiano Titanus Fotografia Tonino Delli Colli, Franco Lecca, Fabio Cianchetti, Giovan Battista Marras Montaggio Mario Morra, Sergio Nuti Effetti speciali Renato Agostini Musiche Ennio Morricone, Andrea Guerra Scenografia Gianni Silvestri, Francesco Bronzi, Nello Giorgetti, Anna Fadda Costumi Metka Kosak, Mariolina Bono Interpreti e personaggi Philippe Noiret: Amleto Nicola Di Pinto: pastore Louis Vervoort: nano Maddalena Fellini: Caterina Ivano Marescotti: don Vincenzo Chiara Caselli: sposa Bruno Bendoni: sposo Joss De Paw: Lupo Irene Grazioli: Michela Ornella Muti: Anna Bruno Ganz: Vittorio Nicoletta Braschi: Nicoletta Andrea Prodan: Marco Sergio Bini: Lele Raffaella Offidani: ragazza al telefono pubblico Doppiatori italiani Vittorio Di Prima: Amleto

La domenica specialmente è un film del 1991 composto da quattro episodi, diretti da Giuseppe Tornatore, Marco Tullio Giordana, Francesco Barilli e Giuseppe Bertolucci.

Le brevi storie sono tratte dalla raccolta di racconti Il polverone di Tonino Guerra. L'episodio più gradito al pubblico fu proprio quello di Tornatore, mentre l'episodio meglio riuscito secondo la critica, fu quello di Marco Tullio Giordana[senza fonte].

Nell'edizione per gli Stati Uniti l'episodio di Francesco Barilli è assente.

Tornatore, nel suo episodio, torna a dirigere l'attore francese Philippe Noiret dopo Nuovo Cinema Paradiso (1988), in cui Noiret interpretava il celebre ruolo dell'operatore Alfredo.

Buona parte del film è stata girata in Romagna:

- l'episodio "Il cane blu" è stato girato a Mondaino, dove vive e lavora il personaggio interpretato da Noiret, Saludecio per le scene all'interno della chiesa e Morciano di Romagna per le scene dei porticati;

- l'episodio "La domenica specialmente" è stato girato a Longiano;

- l'episodio "Le chiese di legno" è stato girato in gran parte a Riccione.

Titoli episodi La domenica specialmente, di Giuseppe Bertolucci, con Ornella Muti, Bruno Ganz e Andrea Prodan La neve sul fuoco, di Marco Tullio Giordana, con Chiara Caselli e Ivano Marescotti Il cane blu, di Giuseppe Tornatore, con Philippe Noiret Le chiese di legno, di Francesco Barilli, con Bustric (Sergio Bini)

❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️ ❤️❤️

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[genevieveetguy]

You know how it goes. Contempt has always followed possession. To spend your whole life with someone, you don't need lust - which is quickly extinguished - but a harmony of minds, temperaments, and humor.

Le Plaisir, Max Ophüls (1952)

[dersiebentekontinent]

[sesiondemadrugada]

Douce (Claude Autant-Lara, 1943).

[movierx]

Le mariage de Chiffon (1942) dir. Claude Autant-Lara

Cinematography: Philippe Agostini and Jean Isnard

[gatutor]

Jeanne Moreau-Alida Valli “Diálogos de carmelitas” (Le dialogue des carmélites) 1960, de Philippe Agostini, Raymond Leopold Bruckberger.

[mr-zzzzzz]

Du Rififi Chez Les Hommes / Rififi (1955, Jules Dassin) DP: Philippe Agostini

[byneddiedingo]

Jules Dassin in Rififi (Jules Dassin, 1955)

Cast: Jean Servais, Carl Möhner, Robert Manuel, Jules Dassin, Janine Darcey, Pierre Grasset, Robert Hossein, Magali Noël, Marcel Lupovici, Marie Sabouret, Dominque Maurin. Screenplay: Jules Dassin, René Wheeler, Auguste Le Breton, based on a novel by Le Breton. Cinematography: Philippe Agostini. Production design: Alexandre Trauner. Film editing: Roger Dwyre. Music: Georges Auric. 

The success of Rififi had a lasting effect on the "caper" or "heist" genre, which is still with us in one form or another, including the Mission: Impossible movies. Dassin's 30-minute sequence depicting the break-in and safe-cracking was hailed as a tour de force. I can't help wondering if Robert Bresson saw Rififi before he made his great 1956 film A Man Escaped, which takes a similar wordless and music-free approach to showing the preparations for Fontaine's prison break. Other than that, of course, nothing could be further from Fontaine's noble efforts to find freedom than the larcenous thuggery of Dassin's jewel thieves. Dassin knows, of course, that audiences respond positively to cleverness and skill, which is virtually all that his quartet of thieves have going for them. Tony (Jean Servais) is a brutal ex-con who beats his former mistress (Marie Sabouret) with a belt; Jo (Carl Möhner) is a swaggering, handsome guy for whom Tony took the rap for an earlier heist because Jo has a wife and child; Mario (Robert Manuel) is an easy-going ne'er-do-well; and César (Dassin under the pseudonym Perlo Vita) is a professional safe-cracker. Dassin manipulates us into thinking of these guys as heroes, if only because the gang led by Pierre Grutter (Marcel Lupovici), who wants to muscle in on their ill-gotten gains, is even worse. In the end, both sides are wiped out, but not before Jo's little boy (Dominique Maurin) is kidnapped and held for ransom. The final sequence of the film is particularly harrowing, especially to contemporary viewers used to mandated seatbelts and conscientious childproofing: A dying Tony drives the 5-year-old boy across Paris in an open convertible as the delighted kid stands on and even clambers over the seats of the speeding car. For all its unpleasantness, Rififi is as memorable as it was influential. It led to countless imitations, usually more light-hearted, including Dassin's own Topkapi (1964). It also revived Dassin's career, which had been at a standstill after he was blacklisted in Hollywood; Rififi's international success was a defiant nose-thumbing directed at HUAC's witch hunts.

[killer-klowns]

Le Plaisir / Le cœur n’a pas besoin de bretelles, comme le fait remarquer une éloquente prostituée.

[manganic-malaria]

Le jour se lève (Daybreak), 1939

[nostalgiepourmoi]

María Casares in Les Dames du Bois de Boulogne, 1945. Directed by Robert Bresson.